An interview by Matteo Innocenti, Satoshi Hirose Strange Loop, La Portineria, Florence, 2021 (ex. brochure)
Fumihiko Sumitomo "Migration and Continuity - Satoshi Hirose’s Resilient Thoughts for Coexistence", Angelo Capasso "The Garden of the Senses", Jun Igarashi "An Attentive Gaze and Resilient Mind - Long-term Art Projects by Satoshi Hirose and Arts Maebashi", An interview by Alberto Fiore, "An Interview in Milan with Alberto Fiore", The Earth is Blue Like a Lemon, Arts Maebashi, Gunma, 2020 (ex. catalogue)
Makiko Okado, Exhbition leaflet, 8 Art Gallery/ Tomio Koyama Gallery, Tokyo, 2017 (ex. leaflet).
Kumi Murai, "Artwork Concept Book of P.D.P.S.", Project at Pepti Dream Kawasaki R&D Center, Kanagawa, 2017 (project brochure)
Satoshi Hirose, Makiko Okado, P.D.P.S. Project at Pepti Dream Kawasaki R&D Center, Kanagawa, Tomio Koyama Gallery, 2017 (ex. leaflet)
Paolo Borrelli e Fausto Colavecchia "Flânur Artista Vagavondo", Matteo Inocenti "L’esercizio di uno sguardo alternativo", Silvia Valentina "Senza Titolo", Satoshi Hirose Flânur", Vis à Vis Artist in Residence Project, Molise Cluture Foundation, Campobasso, 2016 (ex. catalogue)
Emanuela De Leonaldis "Il viaggio di noturno di Satoshi Hirose", Satoshi Hirose’s night journey, Cherbino, 8 Art Gallery/ Tomio Koyama Gallery, Tokyo, 2013 (ex. leaflet)
Flavia Montechi "Installazione d’arte come dato sensibile, Ragionamenti su Satoshi di Satoshi Hirose", "Art installation as a sensible datum, Reasoning on Satoshi Hirose’s ", An interview by Mauro Visentin "About Winter Garden", Winter Garden, Galleria Maria Grazia Del Prete, Rome, 2013 (ex. brochure)
Satoshi Hirose, "Concerning il giardino dei sensi", Tomio Koyama Gallrey,Tokyo, 2008 (ex. leaflet)
Satoshi Hirose, "Microcosm - Sei memorandum per il prossimo millennio", Umberto Di Marino Arte Contemporanea, Naples, 2008 (ex. leaflet)
Erico Osaka "Communication that Surpasses the Boundary" Paradiso, Criterium34, Exhibition Leaflet, Contemporary Art Center, Art Tower Mito, 1998 (ex. leaflet)
Kent Miller "Posizione Vagabondo", Casa degli Aristi, Milano, 1997 (ex. leaflet)
Tsuyoshi Mizusawa, "Standing on a standing stone", Festival Manazuru - Sculpted Stones, Manazuru, 2021 (ex. catalogue)
Kohei kitayama, Kozue Handa, Koko Okano, "Everybody Needs a Rock - Seeing the world through the eyes and hands", Vange Sculpture Garden Museum, 2021 (ex. catalogue)
Tomo Imai, Nozomi no Ie, The Ecology of Expression: Remaking Our Relations with the world, Arts Maebashi, Maebashi, 2019 (ex. catalogue)
Tomo Imai, Satoshi Hirose, Sky Project「Your Sky、My Sky」, The Ecology of Expression: Remaking Our Relations with the world, Arts Maebashi, Maebashi, 2019 (ex. leaflet)
Tomomi Goto, Satoshi Hirose, Sky Project「Your Sky、My Sky」, Forest of Expression: Art as communal Act, Arts Maebashi, Maebashi, 2019 (ex. leaflet)
Gabrieri Simongini, Come parlare attraverso le cose: 19 artisti giapponesi al "Premio Michetti", 54˚ Premio Michetti, Fondazione Premio Michetti, p137, pp.144-145, Vallecchi Editore, Firenze, 2003 (ex. catalogue)
Angelo Capasso, Architetura del colore, pp.5-26, Umberto Di Marino Arte Contemporanea, Giuliano, Napoli, 2003 (ex. catalogue)
Samuel-Fuyumi Namioka, "Sur-face: sulla soglia, nuova arte giapponese in italia", pp.4-5, Istituto Giapponese di Culutura, Roma, 2003 (ex. brochure)
Rachel Kent, "Neo Tokyo: Japan Art Now", pp.4-13, pp.20-23, Museum of Contemporary Art, Sidney, Sidney, 2001 (ex. catalogue)
Buruno Corà, "Senritsumirai: Arte Attuale dal Giappone", pp.11-16, Buruno Corà, Senritsumirai; present-day Art from Japan, pp.17-22, Senritumirai, Futuro Anteriore, pp.46-55, Centro per arte Contemporanea Luigi Pecci, Prato, 2001 (ex. catalogue)
Nicola Maria Martino, Leone Laria, Gianni Caravaggio, “Microbo Erotico” pp. 25-27., "Daunbacino Luoghi dell’arte contemporanea", Link, Sassari, 2001 (ex. catalogue)
Ingrid Burgbacher-Kurpka, "Weihnachten 2000", kunst+Projekte Sindelfingen e.V., Galerie Stadt Sindelfingen, Sindelfingen, 2000 (ex. leaflet)
Tomoko Izumi, "Art works as common language", Tama Vivant 2000、pp.18-19、Tama Art Univercity, Tokyo, 2000 (ex. brochure)
Claudio Certelli, "Satoshi hirose", Percorso dello Spirito Anno Duemila, EXMA, Galleria Comunale d'Arte, Cagliari, 2000 (ex. brochure)
Francesco Tedeschi, "Satoshi hirose", Periscopio 2000, p.52, p.102, Milan, 2000
Irene Crocco."Più Vasto della Misurato", Projectroom Il Colidoio, Milan, 1999
Cristina Del Ponte, "L'immagine Rinnuovata", Antico Monastero, 1999 (ex. brochure)
Gianella Demuro,"Percorosi dello Spirito", Cittadella dei Musei-Cagliari, Cagliari, 1998 (ex. brochure)
[Writings by the Artist, Comments]
"About Exhibition Cherubino", Artist Statement, 8/ Art Gallery/ Tomio Koyama Gallery, Tokyo、2013 (ex. leaflet)
"La cosmologia dei legumi - vivere tra culture differenti", Artist Statement, Galleria Maria Grazia Del Prete, Rome, Jan. 2012 (ex. leaflet)
"Art work plan for condominium - about sculpture Atavism", Artist Statement, 2011 (ex. leaflet)
"My secret garden", Concept sheet, 2011 (ex. leaflet)
"Angel Novus", Artist Statement, Galleria Maria Grazia Del Prete, Rome, April. 2009 (ex. leaflet)
"On my exhibition Microcosmos” at Umberto Di Marino Gallery, Artist Statement, Umberto Di Marino Gallery, Naples, 2008 (ex. leaflet)
"Microcosmos - six memos for next millennium", Artist Statement, Umberto Di Marino Gallery, Naples, 2008 (ex. leaflet)
"Identità vagante", Artist Statement, set. 2007 (ex. leaflet)
Toyota Art Collection 2006, p.10, Toyota Motor Corporation Inc., Toyota, 2006 (project catalogue)
"All the World is Center-less, including the self-concerning my work", p.57, The Miyagi Museum of Art、Sendai、2004 (ex. catalogue)
"P.V project vagabondo", p.p.61-68, issue 02/ 2002, A journal on conte,porary art and culture, Office for 21st Century Museum of contemporary art, kanazawa construction, Kanazawa, 2002 (project catalogue)
"Beyond the blue - Claud Monet_Satoshi Hirose" Asahi Beer Oyamazaki Villa Museum, Kyoto,2002 (ex. leaflet)
"Crossing and Shifting - Changing Space", Trading Spirit, Studio Venticinque, Milan, 2000 (ex. leaflet)
"Viaggio", TBS Britanica, Tokyo, 2000 (Photography book)
Giancarlo Norese, "Expertise Express", pp.4-37, Massimo De Carlo Gallery, Milano, 1997
[Writings by the Artist, Comments]
P:V project vagabondo, p.p.61-68, issue 02/ 2002, A journal on conte,porary art and culture, Office for 21st Century Museum of contemporary art, kanazawa construction, Kanazawa, 2002
"Relazioni tra l'arte Italiana contemporanea e l'arte giapponese contemporanea; una visione analogica di Mono-ha e Arte Povera", Thesis, Brera Academy of Fine Arts, Milan, 1997
Ryota Sekimoto, Katsuhide Nakazawa, Rinori Aoki, "Interview with Satoshi Hirose - Expressing a diverse and complex world with art while feeling it", The style of others, vol.289, JIA Bulletin 2021 Autumn issue
"Regeneration of 30,000 Lemons", Kiryu Times, January 30, 2021
Yoshio Suzuki, "Satoshi Hirose - The earth is blue like a lemon"", Contemporary Art Reading diagonally vol.22, HERS, p.167, August issue, 2020
Fumiya Imai, "Garden of Between - Satoshi Hirose, The earth is blue like a lemon" Review, Ikebana Ryusei, pp.26-31, July 2020
Ayako Kurosawa, "Satoshi Hirose The earth is blue like a lemon" - The Joy of Life Vividly", Sankei Shimbun, July 12, 2020
Noi Sawaragi, "Satoshi Hirose's solo exhibition The earth is blue like a lemon", which reveals traces of life", Tokyo Shimbun evening edition, July 10, 2020
"Past and Present of Art, Arts Maebashi, Hirose's dialogue video 2", Jomo Shimbun July 10, 2020
Asking about "coexistence" between different things, Restarting at Maebashi, Solo exhibition by Satoshi Hirose, Yomiuri Shimbun July 9, 2020
Sakiko Takahashi, "Satoshi Hirose The earth is blue like a lemon - Beyond the accumulated time Exhibition", Exhibition review, Mainichi Shimbun Evening Edition, June 24, 2020
Tomoyuki Ikeda, "30,000 Lemons with sight and smell, Hirose's artworks exhibition by 90 various expressions", Tokyo Shimbun, June 17, 2020
Kotaro Tashiro, "Beauty lurking in everyday life in our space, Solo exhibition by Satoshi Hirose that stimulates the sense of smell and touch", Jomo Shimbun, June 16, 2020
Wakato Onishi, "Invisible things feeling here, an artist Satoshi Hirose's large-scale solo exhibition at Maebashi", Asahi Shimbun Evening Edition, June 16, 2020
Fumihiko Sumitomo, "What kind of past will be left?", From the horizon of art, Mainichi Shimbun, June 14, 2020
Mieko Nakajima, "Stoshi Hirose, Large-scale solo exhibition at Arts Maebashi, To a space with 30,000 lemons incense", Asahi Gunma, June 12, 2020
"The earth is blue like a lemon", Hanako Issue 67、 2020
"The earth is blue like a lemon", FUDG Vol.204、 p.156、 June, 2020
"The earth is blue like a lemon", CLUÉL culture#61、 p.119, June, 2020
Shibahara Satoko,"Satoshi Hirose, The earth is blue like a lemon", ART, G' s Entertainment, p.156, May 2020 issue
Chie Sumiyoshi, "Satoshi Hirose, The earth is blue like a lemon - The events around us bring about a refreshing", Art, Madame Figaro Japon, p.97, June, 2020
「Impressive reproduction of the lemon field」, Yomiuri Shimbun、May 29, 2020
"33,000 lemons Expressing the colors of the earth" at Arts Maebashi by Satoshi Hirose、Jomo Shimbun, May 22, 2020
Elisabetta Mero, "I Viaggi e il quotidiano", Hestetika, Vol. 34, pp. 114-117, Tradate(VA), Varese, Jul. 2019
Makiyo Matsushima, "Encounter of peptides and beans, The Micro and Macro World of Life Connected by Art", Review, Ikebana Ryusei, pp.13-16, November 2017 Issue
Arts Maebashi Community, "Art Projects 2015–2018 Report", Arts Maebashi, 2019
& Arts, Arts Maebashi, Maebashi, Issue 9 March 31. 2017
Public Art Special, TAMABI NEWS, Tama Art University, Tokyo, p.2, No. 76 May 2016
Alberto Fiore, About Luciano Fabro, Regarding His Teaching Conversation with Mario Airò and Satoshi Hirose, pp.60-63、 Arte e Critica、 n.83 autunno 2015、 Rome、 Italy
Satoshi Hirose, "3 dimensional art is the most worrisome right now", Art Collectors, Seikatsunotomosya, Tokyo, p.54, No.71 February 2015 Issue
"The Japanese artist found in Singapore", Art Collectors, Seikatsunotomosya, Tokyo, pp. 38-39, No.60 March 2014 Issue
"Satoshi Hirose Cherbino Exhibition", Art Window, Seikatsunotomosya, Tokyo, p114, No.363 December 2013 Issue
Addictam art, Cover impression, Mood is Adect, Addictum OPERA, Tokyo, pp.14-15, Am Associates Co., Ltd., no.32, November 2009 issue
Asami Watanabe, "Art Lounge, A moment to relax with contemporary art", Buaiso, Rivera Co., Ltd., Tokyo, p.31, no. 29, October 2009 issue
Satoshi Hirose Angelus Novus - Galleria Maria Grazia del Prete, Arte e Roma, Rome, no.20, jun.-Sep. 2009
Emiko Kato, "Satoshi Hirose's Sensory Garden", Finding Extreme Relationships from a Journey," Studio Voice, Tokyo, January, Tokyo, January 2009 Issue
Noriko Kawakami, "Travel of imagination: It extends to space". Art, Pen, Hankyu Communications Tokyo, P.101, no.253, Dec. 01, 2008
Nicoletta Daldanise, "Satoshi Hirose, Microcosmi tra Naturale e Artificiale, Arte e Critica, Rome, p.p127, no.54, 03-05. 2008
Mari Nakayama, "Satoshi Hirose", Artist's Words, Contemporary Art and Flowers 05, Ohara-ryu Flower, Ohara-ryu, Tokyo, p.p.22-23, no.690, May 2008 Issue
Hiroko Someya, "Art is also a medicine, Osaka Metropolitan University Hospital Pediatrics Ward Project 2003", BT, pp.260-261, vol.56, no.843, January 2004 issue
Mari Nakayama, "An art traveler who weaves everydayness and change", Art Review, Seven Money Culture, Tokyo, p.129, vol.485, November 2003 issue
Yayoi Kojima, ""This summer, which was a bit of a mess. But the artists are full of energy", , Ryuko Tsushin, Tokyo, pp.137-141, vol.005, 2003 Autumn issue
Kazuko Koike, "Deserts and seas floating in the city, microcosm in the window", Herme ’s theater, Bazaar, Tokyo, p.p 232, no.038, November 2003
Yayoi Kojima, "Beans, lemons and pasta are all materials that express the universe", Delicious art vol. 3, Arigatt, Tokyo, p.p 112-113, vol.18, June 2003 issue.
Naoki Takeda, "Beans Cosmos + Water lily 2002: Beyond the blue, Claude Monet x Satoshi Hirose", Art Landscape Studies 10, Sotokoto, Tokyo, pp120-121, no.48, June 2003
"Looking for a work just for me", Luca, Tokyo, no.2, p169, Esquire Japan version April 2003 special issue
Kiko Kikuta, "A Perspective to Capture the Reality and Sympathy of the Times", O-cube, Tokyo, pp48-49, Volueme 96, March 2003
Joe Suzuki, "The Blue Sky of Satoshi Hirose, The Blue of the Earth", Memo Man's Room, Tokyo, p130, 29, January 1, 2003
Speciale Artissima 2002, Antonella Nicola Torino, Exibit Art on paper, Firenze , Dicembre 2002, no5, p3, 2002
Makoto Otagaki, "Movement of Light and Color, Art to Experience", Kyoto Shimbun, Kyoto, September 28, 2002
"A moment in an endless change", Nikkei Newspaper, Osaka, Kansai Kinki Edition, September 21, 2002
"Glittering Bean Space on the Street Corner", Chugoku Shimbun, Hiroshima, July 11, 2002
"Experience-based art that stimulates the five senses", Bian Mian, Tokyo, p.21, vol.16, October 2002 issue
Chie Sumiyosh, "Satoshi Hirose", Grazia, Tokyo, October 2002
Yayoi Kojima, "Voyage, Let's throw away the book and go to the town", Studiovoice, Tokyo, p.118, p.123, vol.317, May 2002 issue
Naoki Takeda, "There was an unexpected art scene", Gallery, Tokyo, pp.58-68, February 2002 issue
Naoki Takeda, "Sydney", BT Bijutsutecho, Tokyo, pp.158-159, Vol.54, no.814, January 2002 issue
"Neo Tokyo", ContemporaryAsian Art, Sidney, p15, February 2002
Michael Fitzgerald, "Day-Glo and Darkness", Time Express, Sidney, p 90-94, January 2001
Ron Cerabona, "Emerging visions of modern Japan", Canberra Tomes, Sidney, p16, January 21 2002
"Neo and Zen", Sydney Morning Herald, Sidney, p 22, January 11. 2002
"Neo Tokyo Japanese Art Now", Japanese Reports, Sidney, Spring Edition, 2001
Joyce Morgan, "Tokyo Shock boys (and girls)", Metropolitan, The Sidney Morning Herald, Sidney, p.5 , Nov. 10-11, 2001
Pichayanund Chindahporn,"Looking for Venice in Bangkok", Art Review, Bangkok Post, Bangkok, p.8, Nov. 01, 2001
Anna Maria, "Speroni.「dal giappone senza futuro", Io , Milan , no.39, Sep.29 2001, pp.407-410
Hideki Kawahara, "My Favorite Place", BT Bijutsutecho, Tokyo, Vol.54, no.801, pp.137-145, March 2001 issue
Yoshiyuki Ishii, "Sparkling", Tokyo Jammin', Tokyo, p.9, vol.08, March 2001 issue
Kaori Sakurai, "Time is on your side", TOKION, Tokyo, no.22, January-February 2001 issue
"day, day,day...", Information, New House, Tokyo, February 2000
"Smell, texture, and surprise. Art that is not bound by sight. That is the world of Satoshi Hirose !", Town Information Hiroshima, Hiroshima, no.284, December 2000 issue
"Re-questioning the art experience itself !? 2001, Satoshi Hirose Exhibition ", People, Hiroshima, 249, December 2000 issue
"2001 Satoshi Hirose exhibition - An exhibition which causes a stir in a normal art experience", ART, Wink, Hiroshima, no.86, December 2000 issue
"Don't rely only on vision !! Satoshi Hirose exhibition that goes over and over and searches for art", Fukuyama, Fukuyama, no.14, December 2000 issue
"A new world of art to appreciate with a sense !! Satoshi Hirose Exhibition<2001> at Hiroshima City Museum of Contemporary Art", Art, Yellow Book, Hiroshima, No. 4762, November 2000
"Turning everyday scenes into art", Chugoku Shimbun, Hiroshima, p.17, December 27, 2000
Yuri Shirasaka, "The Paradoxical World of ", Pia, Tokyo, No. 883, p.233, December 2000
Makoto Murata, ART, AERA, Tokyo, September 2000 issue
BT Bijutsutecho, September 2000, Tokyo
Mari Nakayama, "Spinning a story about blue with a light act", Trendy News, Tokyo, vol. 446, pp.138-141, September 2000
Satoshi Ueda, "I feel nostalgic in the sky that I should never know.", Pen, Tokyo, No. 44, p.110, September 2000 issue.
Chie Sumiyoshi, "Vivid Everyday Senses of Satoshi Hirose who inspired by the Sunlight of Italy", Brutus, Tokyo, no.460, p139, August 1, 2000
Chie Sumiyoshi, "The Paradox of Illusional Pleasure", GINZA, Tokyo, no.37, July 2000
Giuliana Altea, "Le nuove opere minimaliste dei sette di Microbo Erotico", La Nuova, Sassari, May.26, 2000
Chie Sumiyoshi, "satoshi hirose", Brutus, Tokyo, no.453, April 15, 2000 issue
Luisa Perlo, "IbridiAzionei e interZone sulle rove del Po", Totolo, Torino, Oct, 1999
Mari Nakayama, "SatoshiHirose", The Art Age /Coming Art vol.2, Spairal Paper, Tokyo, no.70, Summer 1999
Sebastiano Grasso, "Pi Vasto del Misurato", Guida alle Mostra, Corriere Milano, Corrirere della Sera, Milano , p.45, Jun.27, 1999
Noi Sasaki, "The Moment of the Transformation of the City" Portrait of the Artist of the Next Century- Satoshi Hirose, Art & Exhibition, Esquire, Tokyo, p.164, June 1999
Fumi Nakata. "Is it a virtual cherry-blossom viewing device that smells? Or like a dreaming traveler's experience shelter", Dice, Tokyo, No.28, pp.2-5 June 1999 issue
"Project A.P.O. Exhibition", Special Feature on Newly Built Houses, Shin-Kenchiku, Tokyo, May 1999 Issue
"Project A.P.O.", Intersection, Landscape, Tokyo, April 1999
"Project A.P.O.", Museum, Gallery, Special Feature on Newly Built Houses, Shin-Kenchiku, Tokyo, April 1999 Issue
"Rooftop Tent Listening to the Sounds of the City", Shukan Shincho, Tokyo, April 8, 1999
"Thinking about the gaps in the city", art & design, ELLE DECO, Tokyo, NO.41, p.33, April 1, 1999 issue
”A project of a different space that appeals to sight, hearing, and smell", NEWS, Mr. High Fashion, Tokyo, No.264, April 1, 1999 issue
"Project A.P.O. that appeals to feel the smell in a corner of the city and communicate with the invisible", Art, CAZ, Tokyo, March 22, 1999 issue
Mari Nakayama, "The next to Lemon incense, a project that appeals to all five senses", ART, FIGARO Japon, Tokyo, No.153, March 20, 1999
ART, CanDo Pia, Tokyo, March 16, 1999 issue
"Feel the smell and sound of the city", Asahi Shimbun, Tokyo, March 17, 1999
Emily Shibuya, "Good feeling、What kind of feeling is it?", POPEYE, Tokyo, March 10, 1999 issue.
Yuri Shirasaka, ART, TOKYO 1 week, Tokyo, March 9, 1999 issue
Exhibition, Weekly Pia, Tokyo, March 8, 1999
Kazuko Koike, "Contemporary Art and Smell", Takasago Times, Tokyo, no.133, 1999
"Thinking about City, Architecture and Art," Tokyo Shimbun, Tokyo, Shitamachi Edition, March 4, 1999
"Project A.P.O. to experience memory and smell in the gaps of the city", Monthly Gallery, Tokyo, No. 169, March 1, 1999
"Project A.P.O.", Information Network, Architectural Magazine, Tokyo, Vol.1114, No.1433, p.132, February 1999 issue,
"Project A.P.O.", EVENT GUIDE, Fukagawa, Tokyo, No. 127, February 25, 1999
"Project A.P.O." Asahi Shimbun Marion, Asahi Shimbun Evening Edition, Tokyo, February 25, 1999
Tiziana Conti, "Satoshi Hirose"、Tema Celeste Arte Contemporanea, Torino, Jan.- Feb.,1999
Machiko Mizusaki, "Reality and Misreading" Portrait of a contemporary artist, HERTH-NET PLUS, Kobe, 1998
Hisako Hara, Exhibition Review, Art Tour, Tokyo, December 1998
Olga Gambari,"Satoshi Hirose"、La repubblica, Torino, Dic.6, 1998
Olga Gambari, "The Odorous Lemons by Satoshi Hirose", Torino Sette, La Stampa, Torino, Dic.2, 1998
Lisa Parola, "Satoshi Hirose", Agenda arte, Torino Sette, LA STAMPA, Torino, Nov.19, 1998
Hisashi Shibata, "Changing is a testimony of life", Contemporary Art Courier Service, Hokkaido Shimbun, Sapporo, July 10, 1998
Takashi Shibata, "Change is a testimony of life", Contemporary Art Courier Service, Hokkaido Shimbun, Sapporo, July 10, 1998
"It's not art that you don't feeling stimulated what you see, right?", BRUTUS, art, Tokyo, no.405, March 15, 1998 issue.
Shigemi Anzai, "Sleeping and Playing, Paradise Art Exhibition", POPEYE, Tokyo, no.536, March 10, 1998
Akio Sagegami, "Lemon of Satoshi Hirose", Monthly Calligraphers, Tokyo, no.100, March 1998 issue
"Aroma that awakens the original memory of human beings", DREAM, Tokyo, No.395, February 1998 issue
Tamaki Harada, "It suddenly appears, shakes me, and eventually falls into my memory/ Satoshi Hirose's Lemon Project 03", the indipendent critics, vol.3, Sapporo, pp.4-5, February 1, 1998 Day issue
Yasunori Go, Interview, Void, Tokyo, vol.6, 1998
"6th Overseas Up-and-coming a Japanese artist introduction exhibition - Satoshi Hirose's Lemon Project 03", Art, Raku, Tokyo, January 1998 issue
"Creating a Lemon Space -Fragrance and Visual Expression", Fragrance Industry Newspaper, Tokyo, January 25, 1998
"6th Overseas Up-and-coming a Japanese artist introduction exhibition - Satoshi Hirose's Lemon Project 03"Art, GINZA, Tokyo, no.13, January 1998 issue
Kazuhiko Shibusawa, "Memorable Vivid Colors and Fragrances", Sankei Shimbun, Evening Edition, Tokyo, December 18, 1997
"Experience/ Smell Art Exhibition that evokes memories of the past", POPEYE, Tokyo, no.531, December 10, 1997 issue
Tamaki Harada, "Lemon Project 03", Art, CAZ, Tokyo, No.223, December 9, 1997 issue
Tamaki Harada, "Art of Fragrance and Memory -Satoshi Hirose Lemon Project 03 "Art, FIGARO Japn, Tokyo, No.125, December 1, 1997 issue
Yumi Takaishi. "Satoshi Hirose - Lemon Project 03", Weekly Pia, Tokyo, No.734, December 15, 1997 issue
"Satoshi Hirose - Lemon Project 03", CanDo Pia, Tokyo, no.4, December 2, 1997 issue
"Satoshi Hirose - Lemon Project 03", Art, TokyoWalker, Tokyo, no.48, December 2, 1997 issue
"Satoshi Hirose - Lemon Project 03", Exhibition, Weekly Pia, Tokyo, No.732, December 1, 1997 issue
Eriko Osaka, "Yellow Carpet that Stimulates Perception", Hanatsubaki, Tokyo, no.570, December 1997 issue
"A christmas is just around the corner after the young dragon-gate exhibition", BURUTUS, Art, Tokyo, no.399, December 1, 1997 issue
"Overseas Emerging Japanese Introduction Exhibition by Satoshi Hirose where living in Milan", Art, Nagano Daily, Nagano, November 24, 1997
"Art of 10,000 Lemons - Satoshi Hirose Exhibition", Indoors, Tokyo, no.515, November 1997 issue
Chiaki Nishiyama, "Living Land", New Architecture, Sapporo, p.97, November 1997 issue
Yuko Hasegawa, "Touching and ", Topics, Bijyututecho, Tokyo, p.154, November 1996 issue
"Satoshi Hirose - una volta", ART Sapporo, p.101, August 1996 issue
"Una Volta", Sapporo Information Magazine, Sapporo, p.56, August 1996 issue
"Susukino's vacant lot transforms into an art plaza that is open 24 hours a day", Asahi Shimbun, Sapporo edition morning edition, Sapporo, August 14, 1996
Akira Yani, "Let's get back the fields", Hokkaido Shimbun evening edition, Sapporo, August 14, 1996
"Spatial Art to Enjoy with the Five Senses", Yomiuri Shimbun, Sapporo, August 8, 1996
"A place to meet <Once> - Satoshi Hirose solo exhibition - Una volta", Monthly Gallery, Tokyo, August 1996 issue
"Una Volta - Satoshi Hirose", Recent Gallery News, New Logic, Sapporo, vol.24, 1996
[Writings by the Artist, Comments]
Satoshi Hirose, Milan to Naples, Everday Life as Art, Luca, Tokyo, no.5, p157, special issue, Esquire Japan, 2004
Satoshi Hirose. Italia A to Z, New House, New House Publishe, Tokyo, Apr. 2000 - Dec. 2004